A week ago I was waiting for a friend to pick me up and my landline rang. No one ever calls me on that phone, it’s almost always robo-calls or marketers. I’ve kept it because it was tied to the front door entry system. Since that no longer works I probably should get rid of it.
I answered it that evening because the caller id was a cell number. A man asked for me, I asked who was calling. He gave a name that was common enough to have been a made-up marketer but it was also one of someone I’d known in the 70’s. That’s who it turned it out to be.
We had completely fallen out of touch and none of our mutual friends seemed to know anything about him. It turns out he’s lived in New York the last 35 years and worked in the publishing business. He told me he was surprised my number still worked and that my voice sounded the same. I assured him that nothing else had changed either.
He said he still enjoyed his copies of White Arms Magazine and googled the title recently. His search led him to my blog which he was reading.
We talked about people we knew in common and I got him caught up on any news I had. Many of them had died which he knew nothing about. When I asked if he remembered Jim who I collaborated with on the magazine he said, “oh yeah, he died in an automobile accident didn’t he?” I laughed.
In one of the White Arms issues Jim decided he wanted a more affected, pretentious nom de plume. So he wrote that Jim had died in a car crash and that Rene White would be taking over as editor.
At the time some of my more political friends thought the term “White Arms” could be construed as pretext for something racial. But Jim said the name came from the sheaths of blank paper that made up the magazine. And how they would circle the world in an unpredictable way.
When we were putting it together I was always questioning what we were doing, wondering what the benefit would be. Jim told me not to worry about results, to concentrate on being creative and doing things. The consequences would take care of themselves.
Jim would have been thrilled that his car crash story had legs. And that White Arms still has reach.
In 1971 egg nog was something Richard Nixon and distinguished diplomats sipped at Georgetown parties. Not drug addled, wafer thin, gay hippie boys in Bloomington, Indiana. That contradiction alone was enough to inspire my first big Christmas party.
The egg nog parties became an annual tradition. The first two were in Bloomington then five more after I moved to San Francisco. The last one was held in 1977 at a friend’s basement shop on Commercial Street in Chinatown. Nog was made available but also lots of champagne. So I rented about 8 dozen coupe glasses from Abbey Rents. By the end of the evening only one dozen remained.
It was the height of the punk era and destruction was the name of the game. Someone started it innocently by accidentally dropping their glass in the corner of the stairway. It was answered with a couple more throws into the corner. Soon it was a barrage, a constant din of shattering glass as every available coupe was hurled onto the pile. When no more glasses could be found, empty bottles were bounced off the walls.
I was left to clean up this heap of broken glass and repair the divots that had been taken out of the plaster. No dummy, I realized I’d lost my deposit on the glasses. But it had been entertaining so I rationalized it was cheaper than hiring a band.
Still, I didn’t have the courage to face Abbey Rents and asked David to take the survivors back on Monday. Even he, who can talk himself out of any situation, was at a loss. “What do I tell them?”
“Just say the buffet table collapsed.”
Posing with the debris, including that which was wrapped around my ankle
Madonna and child invite, 1975
Fragment from an unknown year
Art deco motifs were the rage in 1974. Among other things.
The 2nd annual was 6 weeks after the pink suit triumph. So we slapped some green and red on the theme and called it Christmas.
The 1976 film roll invitation
The spool of film invitation, 1976
The last egg nog party, 1977
David and me on the trash heap of egg nog memories
In 1976 Jim published the final edition of White Arms Magazine devoted completely to me. It was called the B-Centennial Issue.
We decided it needed some photos featuring gravesite drama so I packed up a bunch of friends and we headed to this fabulous cemetery in Oakland. An afternoon of bereavement hilarity followed.
Grandmother used to take me to antique auctions when I was a kid and at one there was this beautiful 19th Century silk crepe widow’s veil. I asked her to buy it for me because it reminded me of the assassination. During the photo shoot I held it in place with a black beret–just like Jackie.
Leading the national mourning
I received special catechism. My priest was from an obscure Orthodox Catholic sect.
Channelling Liz in Butterfield 8
Preparing to receive his holiness
Although a tear may be ever so near
I thought we ordered the carrera
Yet another vision for Father. I looked forward to the laying on of hands.
I’d like to write a story about these pictures I found but I don’t even remember them being taken. Just a quite evening at home with my best friend, the bottle, circa 1977.
One of my all time favorite spins on a celebrity PR crisis was when nude photos leaked of Vanessa Williams and she lost her Miss America crown. Her defense was she thought they were “only shooting silhouettes.”
I never liked wearing wigs and, as you can see, they were often treated as an afterthought.
When my upstairs neighbor Jim was in the final stages of moving out last June we decided we couldn’t ignore the store-room we shared downstairs any longer. We spent an evening pulling out stuff, laughing and tossing. And marveling at a couple of discoveries we made like his Tahitian grog bowl and this picture of me.
Mark and Charley did this as the centerfold for the 1968 program. I had the original framed with all the printers marks intact and gave it to my friend Brian. He wanted to redo it and glam it up, take off the markings and put it in a glitzier frame. I wouldn’t let him. I liked exposing the process.
As natural as the image may seem, there’s a lot that goes into making a legend. It’s not as easy as it looks.