1040 Fifth Avenue

Era’s End

The first piece I remember buying with my Grandmother was this clover design porcelain covered dish. She taught me to look for the red maker’s mark because it might be Prussian, which she considered the best. I always assumed this one was until 50 years later I looked again and saw, to my horror, it was only Limoges.

Grandmother was a serious antique collector. From the age of 10 until I moved to San Francisco I would attend auctions with her. She’d pack our lunch, take her knitting and stay for the day.

She always sat towards the front and a little to the right of the podium so she could be seen. The auctioneers knew her well. When an item she was interested in came up they would glance at her as they yodeled incomprehensible garble. I’m not sure exactly what Grandmother’s mysterious consent gesture was but the auctioneer knew. She was one of the few bidders who were named in the call. “I have Mrs. Kimmer at 55!”

Unlike her grandson, she was a penny-pincher and knew her limits. Her assent motion may have been imperceptible but when the bids went too high she’d shake her head dramatically while mouthing the word “No!” She seemed offended by the price, as if it was the most disgusting thing she’d ever heard.

Wheelchair access in Aisle 5 also allowed for additional performance space. Thank you ADA!

I sometimes bemoan the fact that in the second coming of my San Francisco life I don’t have the connections I had the first time around. There used to be parties, dinners, and openings every day of the week. And in the years I hung out with David Gillette we could be stacked 3 or 4 deep over JFK with nightly invites.

So it was a great thrill two weeks ago to be asked at the last minute to the Nob Hill Theatre closing day barbecue. My friend got us in for free and we had a leisurely stroll through the premises. I particularly enjoyed the go-go boys in their stretch terry hot pants.

Fucking wall of fame.

Behind the stage was a door I’d never seen before. Outside it were circular steps leading down to a deck and the entrance to the owners residence. The apartment, which supposedly had been featured in Architectural Digest, could only be accessed through the theater. Very La Cage aux Folles. Having Mom over for dinner while they screened Seven in a Barn must have been an interesting evening.

The back of the property abutted the former Williams-Sonoma Mail Order patio where we once found the California Bay Laurel doused in dog piss. And, yes, abutment is the proper term for discussing the physical attributes of a gay porn theater.

In addition to the closing day festivities, my connection (who was empowered with price negotiation status) took me on a private tour of their Touch Our Junk sale yesterday.  All the glory hole panels had been sold by the time I got there but there were still stripper poles, autographed porn star 8×10’s and half priced lube to be had.

Skilled performers on stage expertly worked both the lip and the tongue.

In 1996 I took Mother on a Jackie O Getaway to Manhattan. We saw Zoe Caldwell in Master Class, took a long walk through Central Park by the 1040 Fifth Avenue condo, ate oysters at Grand Central, marched through Bergdorfs  and attended the preview of The Jackie Estate Sale at Sotheby’s. I left only one bid, an excessive $1100 for the monogrammed cocktail shaker. The eventual winner paid about $6500.

I did not get shut out at the Nob Hill sale yesterday though. I scored an original Justin Simpson painting “Spring” from the 2008 Men of Wine Collection. Done in a sickening Lawrence Welk teal, it has the unsettling thematic quality of a Keane painting (minus the eyes) with just a soupcon of Linda Blair’s Excorist menace thrown in.

One can almost see Grandmother doing her phantom “No!”