Gary gave me the Stones DVD of their 2013 Hyde Park concert. It commemorated the 44th anniversary of their free concert for Brian Jones in the same venue. To honor him that day they released thousands of butterflies into the air. Only a fraction took flight, the rest suffocated from being boxed up in the hot July sun. Obviously pre-PETA.
I watched it today and they sounded great. No matter how many times they play the same songs they always make them different. Sometimes a number that was so-so in the studio can be stellar played live. Like It’s Only Rock ‘n Roll. Likewise a perfect song in the studio like Gimme Shelter just can’t be captured in person.
My favorite moment was Mick reappearing in the Michael Fish Shirt Dress he wore at the original concert. In 1969 I was just a country teenager with no concept of what my life would be. When I saw pictures of Mick in his Mr. Fish I felt I could do anything I wanted.
Being part of the Pop generation we were skeptical of all imagery. Yes, Hitler was a villain but did you see how he manipulated those crowds? I’m convinced the Stones studied his films because they mastered the art of inciting to a frenzy. Like Adolph it started with their propaganda, intentionally or not. Keith is close to death. They’re back in jail again. This is the last tour. It’s worked for 50 years.
Today there’s much less hype, much mellower audiences. One occasionally gets a waft of Munich, however, when you see the Investment Fund Manager in the front row, arm raised in defiance, mouthing the lyrics to You’ve Got the Silver.
Before there was the Citibank VIP sections in the stadiums there was the pre-punk mosh pits of the arenas. In 1972 Gary and I saw them several times in the mid-west where we honed our stage rushing technique. You had to break just at the right moment in Stevie Wonder’s set. Too soon and security would pull you out. Too late and you couldn’t get close. We always made it.
When the notice appeared for the lottery of New York tickets I submitted a couple hundred postcards under five different names. All five won. I had 20 tickets, enough to go every night with plenty left to scalp. It paid for the trip.
We were only able to rush the stage opening night at Madison Square Garden. After that teams of guards propped up huge sheets of plywood at the end of all aisles and in front of the entrances on the main floor. Primitive but effective.
But that first night our timing was perfect, we made it to the third row just as they launched into Brown Sugar. The rough and tumble of the mid-west shows did not prepare us for the violence and brutality of New York. Gary and I were separated, the mob pushed from all directions squeezing those in front against the stage. People were on the floor. There was no security and no way out.
As I was about to be crushed I felt an arm around my waist pulling me backwards and up onto a chair. We were packed so tightly I couldn’t turn to see who grabbed me. I tried to thank him over my shoulder. He kept a firm grip on my bare midriff throughout the whole show.
When it was over and the crowd started to thin, I got off the chair and turned to properly thank my benefactor. I noticed that he was this cute kid. And that his other arm was around his girlfriend on the next chair. Sheepish grins and that was that.
Those first few moments standing on the chair I focused on stabilizing. When I did eventually look to the stage, Charlie Watts was staring directly at me. He had witnessed the whole Guernica scene and had a look of concern on his face (without missing a beat, of course).
I knew why he was watching so I continued to project panic not wanting to break the spell. Finally I decided to be honest and let him know I was okay. I flashed a big smile. As soon as I did, Charlie calmly turned his head and stared into space. It was the coolest “fuck you” ever.
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