The biggest obstacle in doing the room was getting the draperies right. Part of it was the mechanics of securing them into a wall. It was a constant guessing game in this old building of whether I was dealing with steel or wood studs, drywall or concrete. There’s nothing like the sinking feeling of an anchor plopping out of the wall when you try to screw into it. This will hold 30 pounds of fabric?
The other component was placing existing draperies in a room they were not designed for. I wanted to reuse the eight foot long black pair from my bedroom in Mother’s Indiana condo. My ceilings are 12 feet high.
I’ve previously blogged about these velvet warriors but, to briefly recap, they are an art deco swirl fabric that had not been manufactured since the 1930’s. To prevent the Nazis from melting the huge production drums and using them for ammunition, the French Resistance buried the dies in the forest. It was an effective job. They went undiscovered for seven decades. Around the Millenium they were found and used again in production.
The original idea for the new installation was to create the illusion of longer panels with a two foot cornice hiding the space between the rod and the ceiling. That left a two foot gap at the bottom to be hidden by furniture. It was a messy solution.
There’s nothing to be gained by pointing fingers or trying to assess blame in a one-man project, but the quality of the execution was severely lacking. As the year progressed I watched the cornice warp, come off its supports, and sag. It looked like the trailer trash vicious rumors say frequent this room. And it was depressing to live with.
Then it occured to me that the fake-out should all be at the bottom not the top. So I raised the draperies to the ceiling and constructed a shelf that runs the length of the room. The hem of the cut velvet now stops at a faux window sill as god intended.
To hide the rod (a favorite bedroom past-time) I used a single row of Aalvar Aalto black dots. Below the new sill is additional shelving for the unending stash of books. And for the daily ephemera generated by the busy life of an unemployed, social security recipient.
My budget constraints were alleviated by the discovery of an architectual salvage yard in Hunters Point. They seem to make the prices up every day depending on which clerk you ask. I bought three planks of wood, a half dozen four foot glass shelves and 16 brackets all for $18. (For emphasis I reiterate: I live in San Francisco.)
Emboldened as an urban survivalist, I now forage the bowels of the city jonesing for an interior decorating fix. With some success, as will be seen in an upcoming post on the wood slat blinds I spotted on the curb. They are being transformed into crown moulding for the kitchen.
I’m satisfied with the overall effect of the art deco velvet in my bedroom window. However, although I don’t mind accepting limited praise for my gumption, any attempts to closely examine the workmanship will be met with an armed response.
3 thoughts on “Watts Style, Chapter Three: Velvet Resistance”
You did a very nice job!
Thank’s Henry. Jason would probably have been appalled.
I Thoroughly Enjoyed This Installment Of docorating With The stars. I’m glad you can find time amongst your various social obligations and charity work to share with us your nuvo jewel toned flat , your creativity continues to enthral. Can’t wait for the next installment.